
The king who served a cow
Childless King Dilip learns he once failed to honour the wish-granting cow Surabhi. For twenty-one days he follows her daughter Nandini through the Himalayan forest, grazing when she grazes and resting when she rests.
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Seven text atlases with reading rooms, glossaries and the source editions behind them.
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Cities, hymns and everyday life in Sumer, read from the tablets themselves.
Visit Sumer →Kalidasa's epic follows the kings of Ayodhya across many generations: a childless king who serves a sacred cow, a son who gives away the world, a husband undone by a falling garland, the avatar Rama, and at last a pleasure-loving king whose line rests on a child not yet born.

Childless King Dilip learns he once failed to honour the wish-granting cow Surabhi. For twenty-one days he follows her daughter Nandini through the Himalayan forest, grazing when she grazes and resting when she rests.

A lion seizes Nandini and Dilip's arrow freezes in his hand. He offers his own body instead. Flowers fall from the sky: the lion was a test, and Nandini grants him a son, Raghu.

Raghu conquers the four quarters, then gives everything away in the Vishvajit sacrifice. When a student comes asking fourteen crore of gold for his teacher, Kubera rains gold into the treasury overnight.

Raghu's son Aja wins a divine weapon from a cursed Gandharva and is chosen by Princess Indumati at her swayamvara, then spares the rival kings who ambush him.

A celestial garland slips from the sage Narada's veena and Indumati dies at its touch. She was an apsara under a curse. Aja raises their son Dasharatha, then lets himself go.

After Rama, Kusha restores a deserted Ayodhya and a long line of kings follows. The last, Agnivarna, lives for pleasure and dies of a wasting illness. The poem ends with his pregnant queen on the throne.
Each atlas keeps three things apart: what tradition says, what historians ask, and what a reader can check in the text.
Every retelling names the work it comes from and the editions behind it. Where traditions differ we say so. Where a picture is an artist's impression rather than a historical record, the caption says that too.